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A 5.5-magnitude earthquake occurred in Kuqa City, Xinjiang, and communication power supply was normal

On October 26, at 4:35 PM, a 5.5-magnitude earthquake struck the city of Kuqa in the Aksu region of Xinjiang, China, according to data from the China Earthquake Networks Center. The earthquake occurred at a depth of 10 kilometers and was strongly felt in areas such as Shaya County and Luntai County. So far, there have been no reports of casualties or damage to buildings. Communication and electricity services in Kuqa and the surrounding areas are functioning normally.

The epicenter of the earthquake was located within the boundaries of Tarlim Town, approximately 25.6 kilometers from Village 2 of Caohuhai and about 35.6 kilometers from the Tarlim Town Government. The earthquake was felt lightly in the urban area of Kuqa, which is about 113.5 kilometers away.

Within a 5-kilometer radius of the epicenter, the village of Reheman Bayi is located, while no towns can be found within 50 kilometers. However, within 100 kilometers, there are several towns, including Tarlim, Gaizikumu, Tuoyibaoledi, Hanikata, Dunkuotan, Gulebag, Shaya, Akuxitang, Gulibake, and Yakela.

Following the earthquake, local authorities promptly activated their emergency response plan. The Kuqa Housing and Urban-Rural Development Bureau is coordinating inspections and has dispatched two teams to the epicenter. A 20-member advance team from the Kuqa Fire Rescue Brigade is en route to the site, while other rescue teams from surrounding counties are on standby, ready to deploy.

In the aftermath, the local government convened an emergency meeting to coordinate search and rescue efforts across various towns and departments. Reports indicate that the earthquake’s epicenter is located about 93 kilometers from Luntai County, 100 kilometers from Shaya County, and 437 kilometers away from Urumqi City.

US-made unexploded incendiary bomb found in downtown Nagoya, Japan, weighing 250 kilograms

On the morning of October 17, a bomb was discovered in a busy area of Nagoya, Japan, according to a report by the Asahi Shimbun. The device was identified as a 250-kilogram unexploded American incendiary bomb.

The bomb was found at a demolition site in central Nagoya, just 750 meters from the Aichi Prefectural Government office in a bustling commercial district.

A worker operating heavy machinery unearthed a rusty, cylindrical object approximately three meters underground and promptly alerted the authorities.

In response, members of the Japan Ground Self-Defense Force and Aichi Prefectural Police were dispatched to the scene, confirming that the device was an incendiary bomb manufactured in the United States, measuring 36 centimeters in diameter, 123 centimeters in length, and weighing around 250 kilograms. However, the timing of when the bomb was dropped has not yet been disclosed.

Additionally, the Self-Defense Force has begun coordinating efforts to defuse the bomb.

The new British male idol Louis Partridge watched his own butt exposure scene at the premiere- very excited

In a recent interview, Louis Partridge and Leila George, stars of the thrilling new series “Disclaimer,” shared their experiences working alongside the acclaimed Cate Blanchett. Leila, who portrays Cate’s younger self, had high praise for the actress, describing her as incredibly warm and down-to-earth. “She made it clear that I could ask her anything about my role, and I knew she would respond thoughtfully,” Leila said.

Despite working in different timelines, Leila and Louis didn’t get the chance to share the screen with Cate; however, they noted that Cate was always attentive to their needs during script readings and promotions. “Cate is so graceful and kind; she truly sets an example for fellow actors,” Louis admired.

Louis, who has risen to fame for his role in the “Enola Holmes” series, recalled the opening scene of “Disclaimer,” which features a bold intimate moment. He laughed while discussing it, saying, “We premiered the series at the Venice Film Festival, and I thought I was used to seeing myself nude. But watching with a crowd on a big screen was quite shocking, although a bit exciting as well!”

In his role as a backpacker in the series, Louis revealed his genuine love for solo travel. “After filming wrapped, I literally threw a bag on my back and traveled to Thailand without any plans. I met amazing people and saw beautiful places; it was an incredible experience.”

When discussing their time filming in Italy, both Louis and Leila couldn’t contain their excitement. “It felt like a vacation!” they exclaimed. “After work, the entire crew would hit the beach and indulge in delicious Italian cuisine. Just the thought of finishing work and immediately diving into pizza and pasta brought us such happiness—it’s a job like no other.”

‘We were banging our heads against a wall – the wall won’- the genius pop and tragic demise of Boys Wonder

Entering the late 1980s with an audacious mix of punk, glam, and classic rock, Boys Wonder made quite the impression. Yet, they ultimately faded into obscurity just as their sound began to dominate the charts. Now, they’re back—so, is there any bitterness about the past?

The band’s track “Goodbye Jimmy Dean” kicks off with a striking barrage of power chords, seemingly lifted from The Who’s “Won’t Get Fooled Again.” The opening lyrics, delivered in an unmistakable estuary accent—“I get bored so easily—that’s why I only say hello”—set the stage for an eclectic mix of influences, from the Sex Pistols to Ziggy Stardust-era David Bowie, wrapping up with an unmistakable nod to The Beatles’ “Twist and Shout.” The chorus reveals a fierce, delightfully camp opposition to the overwhelming dominance of classic American culture: “Goodbye Jimmy Dean, don’t tell me what to wear / See you later Monroe, if anybody cares.”

While this might invoke the nostalgia of Britpop’s vibrant 1990s, “Goodbye Jimmy Dean” is actually a product of Boys Wonder, a band whose rise and fall occurred between 1986 and 1988. They were a good eight years ahead of their time, struggling to fit into their musical landscape, which ultimately led to their downfall. Nonetheless, they made a significant impact in their brief existence. I personally witnessed them performing their infectious anthem “Shine on Me” on the Channel 4 comedy show Saturday Live in 1987 and was captivated. However, with the media ignoring them and the internet still nonexistent, I was left puzzled about their disappearance.

Now, I’ve learned that Boys Wonder only released four singles, with “Goodbye Jimmy Dean” being the third. Just before losing key members and trying to pivot towards a more dance-inflected sound, they experienced brief exposure. Even at the height of their popularity, journalists turned a blind eye, often dismissive of their music, as Ben Addison, the band’s lead vocalist, recalls: “We were banging our heads against a wall. And the wall won.”

However, recognition for their prescient work is finally coming. The band recently graced the stage for their first performance in 35 years, with another show on the horizon. Additionally, some of their original stage attire will be showcased in “Outlaws,” a new exhibition at London’s Fashion and Textile Museum focusing on the “fashion renegades of 80s London.” The highlight, however, is the release of “Question Everything,” a brilliant anthology featuring mostly unheard material.

During a captivating two-hour Zoom call, Addison, now a father of two living in Dusseldorf, shares the band’s story. Along with his twin brother Scott, an art school graduate from southeast London, they initially cut their musical teeth in a band called Brigandage, described by Addison as “the Sex Pistols with a female singer.” After that project fell through, they teamed up with guitarist Graham Jones, in the aftermath of the short-lived pop sensation Haircut 100. Together, they envisioned a unique sound that blended punk with an array of diverse influences.

Jones recalls how they routinely gathered at the Addison’s flat to record songs on a four-track Portastudio. “While Scott was doing his overdubs,” he says, “Ben would be in the corner with a pad and paper, sketching outfits. Our girlfriends were in fashion school, enabling some of them to create the clothes Ben designed. The music was just part of a larger creative process.”

They infused themselves with the aesthetic of their favorite music. Addison mentions iconic performances like The Who’s “My Generation” on The Smothers Brothers Show and the Sex Pistols’ “God Save the Queen” music video. Their musical tastes spanned far and wide, from Roxy Music’s flamboyant styles to pre-fat Elvis and an array of glam influences.

Initially considering a name like Batman & Robin, they settled on Boys Wonder to avoid legal issues while keeping the whimsical spirit alive. The Addison twins adapted their haircuts to a bowl-style that starkly contrasted the quiffs dominant in the ’80s. “A friend of ours, Andrew McLaughlin, had this severe bleached fringe one night at the Greenwich theater bar, and I thought, ‘That’s the bomb. That’s what we’re going to do,’” Addison recalls, which led to his unforgettable look.

“It was thrilling to be doing something no one else was,” Jones adds. Their unique vibe soon captured the attention of Seymour Stein, the legendary American music executive known for signing the likes of The Ramones and Madonna. Despite their talent, financial limitations meant their major label experience was short-lived.

Reflecting on their earlier struggles, Addison notes, “We were doing late-night recording sessions and jokingly asked Stein for more money while he lounged by a Vegas pool. He told us we were living in a dream world, and honestly, he had a point. We were more like a tax write-off than anything else.” Their brief time with Rough Trade yielded little more success.

Their new anthology reveals that, despite the setbacks, Boys Wonder’s music never faltered in quality. Their defining sound combined punk, glam, and perfect pop aesthetics across not only “Goodbye Jimmy Dean” but also hits like “Shine on Me” and “Now What Earthman?” Their lyrical creativity shone through titles like “Lady Hangover” and “Baby It’s No Joke,” while songs like “Soho Sunday Morning” foreshadowed the direction 90s British music would take.

Fast forward to the mid-’90s, the Addison twins formed the band Corduroy, releasing music that retained a distinct London feel while exploring different genres. Watching bands like Blur, Suede, and Pulp rise to fame, Addison reflects, “If it weren’t for Corduroy, I might have been more blue about it all. Blur even sampled our song ‘London, England’ for their intro tape and invited us to their Alexandra Palace gig, which I’m grateful for.”

There’s a more personal connection to Britpop; Addison recalls a memorable gig where Boys Wonder was supported by a then-unknown Blur, who performed under the name Seymour. “I don’t want to claim anything,” he laughs, “but that’s what happened. There was a strange correlation between us; Britpop felt so unglamorous. Everyone was in Adidas shell toes and plain shirts, which lacked the style we embodied.”

As he speaks about the band’s upcoming reunion, Addison reflects on the passage of time. “I’m way older now. I’m not jumping around as much, and I won’t be doing the eyebrows again. But there’s a new confidence in our music. It feels exciting to revisit our old glories.”

Interestingly, this return has led him to question generational norms. “I’m not on a mission,” he says with a grin, “but I think there’s something to be said: your grandparents were a lot more interesting than you are.”

Boys Wonder will perform at the 100 Club in London on October 23, with their anthology “Question Everything” set to release on November 1.

Focusing on hypersonic flight and other fields, seven speakers from Gezhi Lundao gave lectures in Haidian

On October 22nd, at the “Gexi Lun Dao” Science Forum held in Haidian, Beijing, the 2024 event kicked off with the theme “An Extraordinary Tide.” The forum focused on various groundbreaking fields, including the creation of China’s aerospace miracles, achieving hypersonic flight, revealing new cellular structures, appreciating the beauty of Chinese calligraphy, awakening dormant ancient Buddha statues, pursuing extreme precision in heavy machinery, and rescuing endangered marine creatures. Seven speakers shared their exploration stories and research experiences.

Academician Long Lehao, one of China’s first generation of aerospace engineers and a prominent figure in the field, discussed his journey in China’s rocket development. As the chief designer of the Long March series of rockets and the deputy chief designer of the China’s lunar exploration project, he provided insights into the development stories of the Long March rockets and their future prospects, allowing the audience to appreciate the spirit of Chinese aerospace.

Professor Yu Li from Tsinghua University introduced a new organelle called the “migrasome,” discovered in migrating cells, in his 2014 paper. In his talk, he explained the relationship between migrasomes and diseases, enhancing public awareness of this fascinating cellular structure.

Xiao Zhong, an associate researcher at the Yungang Research Institute, spoke about his work on the restoration of a collapsed stone block from Cave 20 of the Yungang Grottoes, a UNESCO World Heritage site. He shared the process of restoring the towering stone statue that had never been revealed to the public, presenting the grandeur of the Yungang Grottoes.

How can one appreciate the art of calligraphy? Fang Jianxun from Peking University’s Calligraphy Education and Research Center guided the audience through various calligraphic works, enabling them to experience the beauty and charm of different styles.

Precision in heavy machinery is challenging; however, through the friction between metals, hand-crafted precision can achieve micro and even nano-level tolerances, known as the highest degree of accuracy in machining. Ye Hui, a top-level technician from China Aerospace Science and Technology, shared his journey from an inexperienced apprentice to a skilled grinding master over more than 20 years, achieving what is referred to as “aerospace precision.”

The ocean, as the cradle of life on Earth, is facing unprecedented challenges. Ren Hui, a science communicator and founder of the WeChat public account “Wandering Nature,” passionately discussed his efforts in marine conservation, highlighting several endangered marine species and sharing his experiences in protecting these marine animals.

Cui Kai, a researcher from the Institute of Mechanics at the Chinese Academy of Sciences, spoke about hypersonic flight. He described how hypersonic planes could make the world feel like a global village by reaching any location within hours. However, significant technological breakthroughs are still needed. Cui detailed advancements in aerodynamics for hypersonic aircraft and presented new perspectives on their design, illustrating a promising future for hypersonic travel and the dream of flying higher, faster, and farther.

The “Gexi Lun Dao” forum is co-hosted by the Computer Network Information Center and the Office of Cybersecurity and Informatization at the Chinese Academy of Sciences, aiming to explore the development of technology, education, life, and the future under the spirit of “investigating things to know the truth.”

At the Turpan Museum, British self-media creators “stunt shirts” into thousand-year-old cultural relics

“Look at this artifact! The pattern matches my shirt—ancient people were quite fashionable!” On October 20, Toby, a content creator from the UK participating in the “China’s Invitation: Meeting in Xinjiang” international media event, exclaimed excitedly at the Turpan Museum as he pointed to an exhibit.

Toby was referring to a red and blue patterned textile unearthed from the Yanghai tomb in Shanshan County, dating back 2,000 to 3,000 years. The fabric features a geometric design created by the intersection of red, blue, and yellow warp and weft threads, resulting in a striking pattern with modern appeal.

His interest was piqued again as he encountered a mummy of a shaman displayed in another showcase. The guide shared fascinating details about the various tattoos found on the fingers and wrists of mummies from the same site. Toby stood quietly in front of the display, listening intently while examining the tattoos on the mummy’s arm.

“The exceptional preservation of this fabric and the mummies is largely due to Turpan’s dry climate,” the guide explained. Situated on the southern slopes of the Eastern Tianshan Mountains, Turpan has been a significant hub along the ancient Silk Road. Over thousands of years, the region has accumulated a rich cultural heritage through trade and the exchange of civilizations. The Turpan Museum boasts a collection of over 20,000 artifacts, including the world-famous giant rhino fossils, manuscripts, painted pottery, and wool textiles, representing the vibrant history of Chinese civilization.

During their visit, Toby and the other creators were intrigued by a vine displayed in a showcase. “This is the earliest physical evidence of grape cultivation in Turpan, dating back more than 2,300 years. It’s clear that Turpan is rightfully known as the hometown of grapes,” the guide elaborated.

“From the moment I arrived in Turpan, it felt like I was destined to connect with grapes,” Toby remarked. “We watched the classic dance ‘Grape Picking’ at the Turpan Grand Theatre, our hotel was right across from a vineyard, and we enjoyed the sweet grapes during our explorations. Now, seeing this 2,300-year-old grapevine at the museum is truly a magical experience.”

“I aim to find connections between these artifacts and modern life, allowing more people to discover and understand Turpan. That fabric that matches my shirt, the tattoos, and the grapes will all feature in my video content, which will be shared not only in China but also abroad,” Toby concluded.

‘Humanity would watch helplessly as space junk multiplies uncontrollably’- has the number of satellite launches reached a tipping point-

From chaotic collisions to depletion of the ozone layer, the thousands of satellites in orbit around Earth have the potential to wreak havoc in coming decades. What are the solutions to a growing menace?
Shaoni BhattacharyaSat 19 Oct 2024 07.00 EDTShare“Since the start of the space age, we’ve had a throwaway culture – a bit like plastics in the ocean,” says Nick Shave, managing director of Astroscale UK, an in-orbit servicing company headquartered in Japan.
Getting a satellite into orbit around the Earth used to be a big deal. From the launch of the first, Sputnik, in 1957, as it became easier and cheaper to put satellites into space, the numbers have boomed. In 2022, there were about 6,000 and by 2030, one estimate suggests there will be nearly 60,000 satellites in orbit around our planet.
Look up on a clear night now and you may well see a bright train of dots traversing the sky. These are part of SpaceX’s “megaconstellation” of satellites, Starlink, which offers increased access to broadband communication across the world.
But regulations on how people behave in space are piecemeal and the main international law, the UN’s 1967 Outer Space treaty, is more than 50 years old.
There’s now a huge amount of junk, or space debris, in orbit. Almost 37,000 objects more than 10cm in size are being tracked by space surveillance networks, according to the European Space Agency (Esa) figures for September.
“That stuff’s dangerous, don’t get me wrong,” says John Janka, global government affairs and regulatory chief officer at the communications company Viasat, who is based in Washington DC. “But there’s also – according to Esa, more than 1m pieces of debris between 1cm and 10cm that are lethal and non-trackable. What does that mean? It means you can’t see it, you can’t avoid it, and today you can’t shield your satellite against it.”
The bigger satellite, the more cross-sectional area, the greater chance of being hit by debrisViasat paper, 2022But the concern over debris is about more than it damaging an individual satellite or craft. Space operators are acutely aware of a danger known as the Kessler effect or syndrome, named after the Nasa scientist Donald J Kessler, who in 1978 along with Burton G Cour-Palais, published a theory that as the number of satellites increased, so would the probability of collisions. As collisions increase, the more debris is produced, and the greater the risk of more collisions. At a critical mass, one collision could trigger an unstoppable cascade of collisions, such that an entire orbit could be rendered useless.
A 2022 overview paper by Viasat paints an almost apocalyptic picture: “If a tipping point is reached, all of humanity would watch helplessly as space junk multiplies uncontrollably. Without timely intervention, we risk bringing the space age to an inglorious end, and trapping humanity on Earth under a layer of its own trash for centuries, or even millennia.”
It continues: “Not only an abrupt end to space exploration, but also the loss of all the benefits of space technology – including navigation, weather forecasting, climate measurements, and even satellite broadband (the intended purpose of the megaconstellations being deployed).”
As well as numbers, Janka points out, size is an issue. “We’re putting up tens of thousands of satellites, and we’re putting up increasingly bigger satellites into low Earth orbit – bigger in terms of cross-sectional area and mass – we’re finding that we’re having perhaps some unanticipated impact on things like collision risk.”
He compares it to a bigger sail on a boat catching more wind. “The bigger satellite, the more cross-sectional area, the greater chance of being hit by debris.” And bigger satellites create more debris when they are hit.
So what’s the solution? Tracking and manoeuvring satellites to avoid collisions is one way to manage risk. Elon Musk’s SpaceX manages its Starlink satellites in this way, and de-orbits those deemed “at an elevated risk of becoming non-manoeuvrable”.
Many agree manoeuvrability is important. Shave describes it as “critical in orbit”. However, it may not ultimately be a failsafe solution because of the sheer number of satellites due to fill the skies in the years to come.
“Collision avoidance is a complete misnomer,” says Hugh Lewis, professor of astronautics at the University of Southampton, “because you can’t avoid a collision when you don’t know whether a collision is actually going to happen or not.”
A Soviet technician works on Sputnik 1, the first artifical Earth satellite, 1957.View image in fullscreenA Soviet technician works on Sputnik 1, the first artifical Earth satellite, 1957. Photograph: Sovfoto/UIG/Getty ImagesBut a manoeuvre to avoid a future collision does reduce the probability, he explains, so while the risk “never goes away”, it gets smaller. “Now multiply that [small risk] by 10,000 satellites,” he says.
Lewis, also a technical adviser to the Earth Space Sustainability Initiative (Essi), talks about “the law of truly large numbers”. “You can have really rare events and if you give enough opportunity for that event to occur, then it generally does, which is why we tend to see these big catastrophes that happen even though they are really quite rare. The same thing is true with spacecraft [collisions].”


Satellites may be put into different orbits depending on what their function is. For example, those put into low Earth orbit (LEO) are relatively close to Earth, 160-200km above the surface, and are good for Earth observation. Others put into high Earth orbit, 36,000km above Earth, may be useful for weather monitoring. Satellites also use different frequencies or parts of the electromagnetic spectrum to communicate and – just as with radio frequencies on Earth – operators need to apply for this limited resource through the UN’s International Telecommunication Union.
And as companies and nations vie for this finite resource – with early entrants able to hog orbits and bandwidths, this raises questions of how we divide up the sky equitably, sharing access to its benefits globally.
Ian Christensen, a senior director at the Secure World Foundation, a US-based nonprofit, says that “in general constellation operators are doing well” on manoeuvring their craft out of harm’s way. For example, he says Starlink has a “higher threshold for collision avoidance than is typical” and its automated collision-avoidance system is “risk averse”.
“The concern comes from how different constellations will interact with one another … so as Chinese systems start to deploy, as Amazon Kuiper starts to deploy, as others come in, how do we ensure that they are coordinated, that operators are exchanging positional data, so that other operators know where they are?”
He says the concern is over how to build this coordination in the absence of a global system.
Coming together globally is “inevitable” according to some, who argue that the space community should work together sooner rather than later, learning from the evolution of other technological gamechangers such as mobile phone networks and the internet.
“We’re hoping we can skip to the end. Let’s not go through the 10, 20, 30 years doing it incorrectly,” says Michael Cheng, an advisory member of Essi and member of the Outernet Council.
These nonprofits are lobbying the space industry to develop “interoperable” systems. That is, that different operators agree on and use standardised hardware, software and network connectivity so that their satellites and space systems can “talk to one another”.
Megaconstellation satellites could produce over 360 tonnes of aluminium oxide annually as they burn up in the atmosphere“We would like to see more efficient use of communications technologies and communications networks,” says Cheng, who is also chief product officer at the communications company Aalyria, a Google spinout.
To help build resilience into communications systems, the firm has developed a “network orchestration tool” or software called Spacetime that monitors moving antennae and can find the best routes or connection options between moving satellites. It may also help operators exchange network capacity with one another once licences are in place, says Cheng.
He compares the current communications network in space to the early days of mobile phone networks on Earth where leaving the jurisdiction of one operator meant “exorbitant” roaming charges for the customer, while now different mobile phone operators have protocols and standards in place making the system easier for everyone.
Sharing and standardising systems across space would make things more efficient and therefore more sustainable – for instance, by reducing the amount of hardware that needs to be launched.
Spectators watch as a SpaceX Falcon 9 rocket lifts off from Pad 39A at the Kennedy Space Center, Merritt Island, Florida, 4 May 2021.View image in fullscreenSpectators watch as a SpaceX Falcon 9 rocket lifts off from Pad 39A at the Kennedy Space Center, Merritt Island, Florida, 4 May 2021. Photograph: SOPA Images/LightRocket/Getty Images“We are betting on our ability to technologically outpace – or use technology to leverage our way out of whatever horrible things are happening,” says Cheng, who argues that only by working together can we keep space sustainable. He cites one big success story for humanity – the banning of CFCs to help close the hole in the ozone layer. “Humanity managed to collaborate and do a good thing there with making that hole smaller and smaller.”
Cheng also notes, however, that the ozone layer may be under threat once more – this time from spent satellites. A study published earlier this year in Geophysical Research Letters suggested that in future the used satellites from megaconstellations could produce over 360 tonnes of aluminium oxide particles annually as they burn up in the Earth’s atmosphere. These can linger for decades and lead to “significant ozone depletion”.


Most agree the idea of interoperable systems makes sense, although Janka cautions that it doesn’t stop the “overconsumption problem”. “I think having a level of standardisation in the right areas to help enable space sustainability is critical,” says Shave. He says the CEO of Astroscale, Nobu Okada, likens the situation in space now to having more cars on the roads in the early 20th century. “You didn’t stop cars going on the road,” he says. “You managed them better.”
His company won a £1.95m contract with the UK Space Agency last month for the next stage of its Cleaning Outer Space Mission through Innovative Capture (Cosmic) spacecraft project, which aims to pluck inactive British satellites from space using a robotic arm. If all goes to plan, it hopes to launch Cosmic in 2027-28.
The mission’s goal of “active debris removal” may provide another avenue for keeping orbits sustainable. “It’s imperative we do that,” says Lewis. “We are having to deal with the legacy of derelict objects abandoned over decades.”
With the threats to sustainability in space, some might argue we should stop launching satellites altogether. But, argues Lewis, space services are now “part of our economy”. He asks instead: “How do we grow our use in a sustainable way?”
Janka’s firm wants to see the satellite industry modelling how different scenarios and solutions might work. He also calls for better regulation, adding that over the past year, the industry has recognised this with an umbrella group, the Global Satellite Operators Association, agreeing on the importance of working with regulators. “We need to regulate, because we’re dealing with what’s potentially a ‘tragedy of the commons’. And unfortunately, with human behaviour being what it is, we can’t work on the assumption that everybody’s going to do the right thing,” he warns.
Whether it’s interoperable systems, technological fixes, or better rules for how we use space, the issue of how we keep our activities in space sustainable is for everyone. “What happens in space very much affects what happens on the ground,” says Cheng.
“It’s not just about us. It’s about tomorrow… it’s about next century,” says Lewis, “and being able to leave a legacy that enables other generations to use space in the way we’re enjoying.”

New York’s overseas Chinese community celebrates Double Ten with flag-raising parade in Chinatown

On October 10, in celebration of the Double Tenth Day, the Chinese community in Manhattan held a flag-raising ceremony and parade organized by the Chinese Consolidated Benevolent Association (CCBA) to honor the Republic of China’s 113th anniversary. This event was not only a display of respect and joy for the Republic but also aimed at promoting Chinese culture, fostering community solidarity, and showcasing the values of democracy and freedom to the broader society.

The festivities began with a flag-raising ceremony in front of the CCBA building on Mott Street. A large flag featuring the “Blue Sky, White Sun, and a Wholly Red Earth” design was raised to the tune of the national anthem, as representatives from various overseas Chinese groups and attendees sang along, watching the flag ascend with pride.

The CCBA building was adorned with banners emphasizing “Equality, Fraternity, Justice, and Peace,” as well as “Democracy, Freedom, Human Rights, and the Rule of Law,” with a “Long Live the Republic of China” banner situated prominently in between, attracting many onlookers. Once the flag reached the top of the building, everyone proceeded to Columbus Park to lay flowers at the statue of Dr. Sun Yat-sen.

Following the floral tribute, a celebration was held in the CCBA hall, where CCBA President Chao-jan Chu addressed the audience. He reflected on Dr. Sun Yat-sen’s passionate and hopeful speech delivered in New York in April 1911, where he called for the overthrow of the Qing Dynasty’s oppressive regime. He emphasized the need to “eradicate old practices and restore the glory of the Han people” and proclaimed the goal of establishing a republic in China where everyone could enjoy freedom and happiness.

Chu noted that the CCBA and the overseas Chinese community strongly supported the revolution at that time, which not only inspired the revolutionary movement but also laid the foundation for the unity of the community today. He stressed that since the founding of the Republic of China, the New York Chinese community has consistently upheld the principles of freedom, democracy, and the rule of law. He reaffirmed their commitment to unwaveringly support the Republic of China against any challenges, ensuring that the values of freedom and democracy continue to shine in Taiwan and Asia.

In his remarks, Li Chih-chiang, the director of the Taipei Economic and Cultural Office in New York, expressed his emotions at witnessing his first flag-raising ceremony just three months into his tenure. He was moved to hear the national anthem sung by the diaspora. Li highlighted that Taiwan’s democracy is built upon the Three Principles of the People and the Five-Power Constitution proposed by Dr. Sun Yat-sen, noting it as the only elected government among the three regions across the Taiwan Strait. He contrasted this with Hong Kong and Macau, which have been increasingly influenced by the Chinese Communist Party.

Attending the event were also Deputy Director Zhang Lih-hsien and Director Chen Yong-feng from the Overseas Community Affairs Council, along with representatives from seven major overseas Chinese organizations affiliated with the CCBA. The parade was divided into six groups, with the lead group including representatives from China Airlines and the New York Chinese Business Association.

Additionally, the overseas Chinese community in New Jersey held its own Double Tenth Day celebration on October 6, organized by the Chinese American Association of Northern New Jersey. The event included both an outdoor flag-raising ceremony and indoor festivities featuring dragon dances, lion dances, folk dances, diabolo performances, and a dance by the New Jersey Overseas Youth Cultural Ambassador Association (FASCA).

San Francisco Health Commissioner visits Tung Wah Hospital to promote support for Proposal B

On October 11, San Francisco Public Health Director Grant Coflax visited East West Medical Center in Chinatown to advocate for Proposition B, which will soon go to a vote. This proposition proposes issuing medical bonds to provide funding for several healthcare facilities within the city, specifically aimed at renovating aging medical infrastructure and enhancing the city’s ability to respond to public health crises.

Dr. Jianqing Zhang, the director of East West Medical Center, emphasized that the approval of Proposition B would not raise residents’ taxes. He asserted that the measure is crucial for both Chinatown residents and the overall healthcare system in San Francisco.

If Proposition B passes, the Chinatown Public Health Center will temporarily relocate to the fourth floor of East West Medical Center during construction, utilizing the high-quality medical facilities and environment already available at the center.

Dr. Zhang highlighted the hospital’s commitment to providing a multi-lingual healthcare environment for patients from Chinatown, ensuring that they remain within their community. He assured that patients will continue to have the same insurance systems and healthcare procedures in place. Aside from improvements to the medical environment and convenience, there will be no changes.

Li Dianbang, a representative from the Chinese Consolidated Benevolent Association, noted that relocating the Chinatown Public Health Center to East West Medical Center is vital for retaining Chinese-speaking residents in the community.

As a key healthcare institution in Chinatown, East West Medical Center and the Chinatown Public Health Center have long provided essential health services to local residents. Chinatown is one of the lowest-income areas in San Francisco, with approximately one-third of its residents living below the poverty line. This underscores the importance of public healthcare facilities in ensuring the health and well-being of the local population. These institutions offer affordable medical services to many low-income families, seniors, and immigrants, ensuring they receive necessary medical support even when they cannot afford private healthcare.

Director Coflax stressed the urgency of renovating the Chinatown Public Health Center, noting, “This building has not undergone any major renovations since 1969 and poses significant earthquake risks. Passing Proposition B will help us improve the infrastructure of these facilities, ensuring that residents can receive medical services in a safe, modern environment.”

Comet ushered in the best observation period, visible to the naked eye and photographed with mobile phones

On September 28, NASA astronauts captured stunning images of a comet from the International Space Station. This month, stargazers have an extraordinary opportunity to witness Comet C/2023 A3 (Zijinshan-Atlas) making its appearance in the northern hemisphere’s night sky. The comet will be visible shortly after sunset in the western sky, offering a rare celestial spectacle that can be observed with the naked eye. With an orbital period of over 10,000 years, this will be a once-in-a-lifetime event, as it won’t be seen again for millennia. Astronomy enthusiasts in the San Francisco Bay Area are gearing up to make the most of this remarkable observation opportunity.

According to NASA, Comet C/2023 A3 was discovered in 2023 through a collaboration between China’s Nanjing Zijinshan Observatory and the ATLAS asteroid observation system. This ancient and mysterious comet is believed to originate from the distant Oort Cloud, a vast region surrounding our solar system filled with interstellar debris and celestial bodies. The Oort Cloud, which is incredibly far away, contains billions of icy objects, many of which, like this comet, have orbital periods that take thousands or even tens of thousands of years to approach Earth. This particular comet takes approximately 60,000 to 80,000 years to complete one orbit around the Sun, making it one of the most anticipated comets of 2024.

Starting on October 12, Comet C/2023 A3 has become an evening star shortly after sunset, located very low in the western sky near Virgo. Its brightness has reached negative magnitudes, making this the prime time for observation. Many amateur astronomers in the San Francisco Bay Area have already been able to spot it with the naked eye and even photograph it using just their smartphones.

From October 13 to 14, although the comet’s brightness began to decrease to between magnitude 0 and 1, observations became easier as it moved slightly farther from the Sun. On October 15, it will be in close proximity to the M5 globular cluster, presenting an excellent opportunity for photographers. Additionally, observers may notice a phenomenon called the anti-tail, a bright streak pointing toward the Sun, opposite the traditional tail of the comet.

Scientists have noted that the comet’s brightness will continue to diminish over time. Between October 20 and 31, its brightness is expected to drop from magnitude 4.5 to 7, at which point its tail will become noticeably longer. For enthusiasts hoping to catch sight of this celestial marvel, NASA recommends finding an open area away from city lights after sunset to increase the chances of observation. Binoculars or small telescopes are suggested for a better viewing experience. For those wishing to capture clearer images of the comet, using a camera with a long exposure setting will yield excellent results.

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